• Black framed fine art print of Sir William Orpen’s In Dublin Bay: Portrait of the Artist’s Wife, Irish Impressionist painting.
  • Unframed fine art print of In Dublin Bay: Portrait of the Artist’s Wife by Sir William Orpen, Irish Impressionist masterpiece.
  • Unframed fine art print of In Dublin Bay: Portrait of the Artist’s Wife by Sir William Orpen, Irish Impressionist masterpiece
  • William Orpen – In Dublin Bay: Portrait of the Artist’s Wife (1909) Art Print – room setting display | Buy Irish Art
  • Wooden framed fine art print of Sir William Orpen’s In Dublin Bay: Portrait of the Artist’s Wife, Irish art reproduction.
  • White framed art print of In Dublin Bay: Portrait of the Artist’s Wife by Irish painter Sir William Orpen.
  • White framed art print of In Dublin Bay: Portrait of the Artist’s Wife by Irish painter Sir William Orpen.
  • Wooden framed fine art print of Sir William Orpen’s In Dublin Bay: Portrait of the Artist’s Wife, Irish art reproduction.
  • Black framed fine art print of Sir William Orpen’s In Dublin Bay: Portrait of the Artist’s Wife, Irish Impressionist painting.
  • Unframed fine art print of In Dublin Bay: Portrait of the Artist’s Wife by Sir William Orpen, Irish Impressionist masterpiece.
  • William Orpen – In Dublin Bay: Portrait of the Artist’s Wife (1909) Art Print – view 11 | Buy Irish Art
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William Orpen – Portrait of the Artist's Wife

William Orpen – Portrait of the Artist's Wife

€349,00 EUR
€349,00 EUR
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William Orpen

Painted on the cliffs of Howth — one of Orpen's most personal works.

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In 1909, William Orpen painted his wife Grace on the headland above Dublin Bay. The wind is in her scarf. The sea is behind her. She is completely at ease, and so is he.

This is not a commissioned portrait — nobody paid for it. Orpen painted Grace because he wanted to, which is exactly why it feels different from everything else in his career. There is no performance here, no sitter trying to project status. Just a woman on a cliff, painted by the man who knew her best.

Orpen was at the height of his powers in 1909 — in demand across London and Dublin, about to become one of the most sought-after portraitists in Europe. He would go to the Western Front six years later and come back changed. This painting belongs to the time before all of that: confident, luminous, uncomplicated.

This archival print is made on heavyweight fine art paper with fade-resistant inks, built to last.

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